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The Expendables' is, for many people out there, the balls-to-the-wall action flick that the world has been waiting for. The unholy union of some of cinema's hardest henchmen, heroes and notorious movie bad guys, doing what they know how to do. From the very first moment I heard news of this film's production, I've been pining to see it - and honestly, I think it was worth the wait.
Directed by and starring
Sylvester Stallone, the film follows a group of bizarrely named mercenaries ('Hale Caesar' ...
I kid you not.) doing the CIA's undercover dirty work for substantial sums of money. After the opening scenes they get sent over to a place called Vilena to overthrow the malicious powers that be. Save the country, get the girls, settle the scores, get paid. So far so Segal, right? Well yeah, you'd be absolutely correct in saying that- but I'm in no way insinuating that its a bad thing. Surely by now, anybody with half an ounce of sense is not going to expect written miracles from this film or any other in it's genre, and they'd be right saying that too, and again, I don't think that's a bad thing. So fine, this is nothing new or ground breaking and it's more than likely not going to stand up to the iconic films of years gone by, but one thing's for certain, the film is bloody good fun.
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Mickey Rourke tattoos Sylvester Stallone
Image courtesy of releasehour.com |
What this movie lacks in intricate plotlines, script and CGI (the severed limbs let the film down), it makes up for in sheer manliness. Motorbikes, tattoo parlours, auto-shops, guns, explosions, knives and
Charisma Carpenter. Everything about The Expendables suggests screams of "Man Movie!" cried from the tops of the highest mountains, whilst punching the sky with almighty force. Even the soundtrack is predominantly made up of steroid injected instrumental pieces, and with the occasional glimmer of classic rock of course (there's a nice and scenic flight segment with 'Mississippi Queen' playing over the top). This amidst the angered expressions, gun fire and explosions makes for a great addition to the high energy atmosphere of the film, psyching you up for the next glut of carnage around the corner.
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Charisma 'Eye opening Google search' Carpenter
Image courtesy of bangmarrykill.com |
The film's main selling point isn't the soundtrack though, it is of course the no less than stellar cast. Featuring some of the biggest names in action movies both new and old, we're treated to a truly muscular collaboration of actors from all walks of cinema. For a taste of nostalgia we are given
Sylvester Stallone (who appears to be melting with age),
Dolph Lundgren (a man who hasn't developed any further English language skills with age),
Jet Li (a man who simply doesn't age) and
Mickey Rourke (...ahem.). There are also brief cameos from action connoisseurs
Bruce Willis and the Guv'nor himself, Mr
Arnold Schwarzenegger - who with the help of Sly totally obliterates the fourth wall. And as for the new age of real life action men, we're treated to a knife-wielding show from the Cockney thug himself
Jason Statham. And in the blue corner... representing the sportsmen-turned-actors front, UFC legend
Randy 'The Natural' Couture features alongside the WWE's very own
'Stone Cold' Steve Austin (I grew up on wrestling, so I really loved seeing him on the big screen despite his slightly stilted acting ability). The Dark Knight's mobster
Eric Roberts also appears playing out the a role that isn't exactly alien to him, as a suited, money-driven, fiendish, power-behind-the-drama, he's right at home. And if that isn't enough, then fittingly named
Charisma Carpenter brings the sex appeal, with help from little known Mexican actress,
Giselle Itié. Overall the casting choice for this film is nigh on perfect for the subject matter, whilst there were a few pivotal figures missing (Van Damme anyone?) the line up we're given is no less than phenomenal at showing us how they do what they do best- dealing out huge amounts of collateral damage, racking up the bodycount and flexing their arms. Luckily there's no scenes where they all stand together, I don't think any size of wide-angle shot could fit in the combined mass of those biceps.
My personal favourite moment aside from the Willis and Arnie scene though, came at the very end of the film. The opening chords of Thin Lizzy's 'The Boys Are Back in Town' blare out around the room as the credits begin to roll. Quite possibly one of the most fitting uses of a song for a movie that I've ever seen. The thing is though, I don't think it's a question of whether these boys are back, in fact, I don't think they ever went away.
The Verdict
I'd give the film a
6/10 for its fantastic cast and fun feel. I love a film that doesn't take itself too seriously, and this is one of them, with talks of weapons and one liners what dialogue we are given is enjoyable although at times I found it a tad difficult to decipher some of the things being said by Sly and Lundgren. But I didn't pay to see this for the dialogue, I paid for action and got my money's worth. If you don't manage to catch this at the cinema then a copy of the DVD during a lad's night in would definitely go down a treat, as this isn't
really one for the girls. Overall it's a fun, adrenalin filled ride, but unfortunately it won't cater to everyone's tastes. But for you anarchy junkies out there, it's better than
The A-Team and it should be just enough to tide you over until
Machete...