The Swedish Poster for the movie Image courtesy of Obsessedwithfilm.com |
The film is atmospheric from the off, it's opening scene alone should be enough to keep you wanting more. The score has moments of beauty, and whilst it's played over some of the occasionally stunning, sometimes unsettling and eerie imagery, it makes for a powerhouse of an experience. It's directed by Niels Arden Oplev and he has definitely made his mark with the help of his talented cast Noomi Rapace (below) is particularly impressive as the titular Lisbeth. I should probably mention that the movie is in Swedish with English subtitles though they are no issue whatsoever, but if you are one of those people that somehow can't read subs and watch a film simultaneously (shame on you), the DVD release does come with an English audio dub, so you really don't have any excuse for not watching this one. Although I sampled the audio dub version, and simply couldn't bare it.
Manhandled: Noomi Rapace as the sexually abused Lisbeth Image courtesy of beamesonfilm.blogspot.com |
One of the things that intrigues me the most about this film is it's background. It's original Swedish title is Män Hatar Som Kvinnor which literally translates into Men Who Hate Women, a title with a lot more relevance and history than it's much more marketable English version. Larsson was witness to a gang rape when he was just fifteen years old and he openly confessed that he didn't do anything to help. He pays homage to the victim in the story, naming his empowered female protagonist Lisbeth after her. This event in his life carries much more weight than just a name though, rape is a commonplace topic in the film, alongside Nazism, journalism and moral corruption in society (all issues occurring in Sweden which Larsson felt strongly about) and I think that going into the movie knowing this makes everything seem so much more true to life. The way he deals with the abusal of women throughout the story is crushingly brutal in places, but remains within reason and doesn't draw too much away from the story with shocking imagery (this is no Irreversible, but it isn't one for the naive either). That is why Män Hatar Som Kvinnor is for me, a far superior title. And thus comes my second issue with the film. The 'dragon tattoo' as mentioned in the title is an utterly irrelevant plot point in the film, I haven't read the book admittedly, so I don't know just how relevant it is to the original story, but in this adaption it's meaning is minimal, shown briefly in two scenes, with nothing more said on it, when I'm assuming it has more meaning than that. I also feel that this makes Lisbeth the focal point to the film, despite her coming across as more of a supporting role next to Mikael. This says one word to me... 'marketing', I mean, who'd want to see a movie with a foreign title? sigh.
Harriet, the missing woman, but who killed her? Image courtesy of Guardian.co.uk |
The Verdict
Title issues aside, the film is a treat to watch. With interesting characters and history and some very dark imagery, Män Hatar Som Kvinnor will have you gripped from the word go, and has a very strong impact, thus earning itself a solid 8/10. It has a fantastic mystery plot which will keep you guessing until it's climatic finish, but take heed, with brutal murders and sexual violence, this isn't your average episode of Murder She Wrote. Stieg Larsson's story is believable and with Oplev's directing it really comes to life, so if you're bored of Britain and have had enough of Hollywood, then I recommend you check out this Swedish thriller as soon as possible.
Having read the novel, but not seen the film yet I can tell you that the name change was purely for marketing. I think I read somewhere that it was changed over here to make it seem more appealing, which is a shame as I almost didn't read it based on the title.
ReplyDeleteAlso I don't think the eponymous dragon tattoo has any real relevance, there are a few references to reasons why Lisbeth gets one tattoo and she always gives her abuser a tattoo, but other than that it isn't an important plot point.
On the subject of her having a supporting role, I would have to agree, the main focus in the novel is Blomkvist's investigation and Lisbeth becomes a more important character later in the narrative.
It sounds to me as though the film stays pretty close to the novel though, and I'm interested in how the film covers the abuse and violence as it is pretty brutal in the book.